Colbert/Carell Photos by Neil Grabowsky (Check out his site: The Jersey Nerds)
Text and Behind the Scene Photos by K. Cecchini
Anticipation for the 2015 season for the Montclair Film Festival started building this weekend with the Stevphens! -Colbert & Carell – and the Behind the Screen: Media Careers 101 seminars.
To add to the excitement, the festival is really grown & sexy now; it will span 10 days starting on the first of May which will now be bookended by 2 intense weekends of events.
On Friday at the New Jersey Performing Arts Center, hilarity ensued with the two Stevphens in conversation at the New Jersey Performing Arts Center. Thanks to MFF photo team leader Neil Grabowsky’s talent, Tonight at Dawn has fantastic shots of Colbert & Carell from the night to share with you.
Following the kickoff, I covered Behind the Screen for the team Saturday on the Montclair State University campus; the media savvy seminars were chock full of advice from the pros of show biz:
Sakina Jaffrey of House of Cards on Acting:
1-If you find that the role you are trying out for suffers from ethnic stereotypes, focus on getting the role and then, as a member of the cast, you will likely have more room to make script suggestions.
2-In order to assume a character that seems to diverge greatly from your own personality, try to relate to something in the role’s characteristics. For instance, when the actress first approached her role on House of Cards, Linda Vasquez, Jaffrey had difficulty relating as she is much more social than Vasquez. Recognizing that the character’s source of power was her intellect, Jaffrey prepared by reading books on topics that Vasquez would be well versed on.
Michael Slovis of Breaking Bad on Directing:
1- “It’s not my fault, but it is my problem,” Slovis shared the mantra of episodic television directors. Once the director figures out how to interpret the script aesthetically, “you have to figure out how you are going to do it in the time you have,” even when the allotted time is impeded upon by anything from accidents to Hurricane Sandy.
2- “Be aware” that when you have to film a fight that the choreographers usually develop the sequence from a specific viewpoint in relation to the camera. As a director, Slovis will always observe the choreography from that point of view; there are ways to hide a kick, etc. and “in TV, you have to use what works”.
3- “Our job as director is to be the audience…to put the camera in the place you expect it to be or you don’t expect it to be but it still works on a visceral level.”
Laura Belfrey of Criminal Minds on Directing:
1-“Speed is everything and the key thing about doing episodic television is being prepared and being ready to change in a heartbeat.”
Tom Hall of MFF on Getting into Film Festivals:
1-Make a good film.
2-Look up which festivals play films similar to yours and submit to them.
3-Follow up your submission by contacting the festival to make yourself stand out from the stacks of DVD’s and Vimeo links.
4-Follow the submission guidelines but online links are generally preferred to DVD’s.
Jessica Wolfson on Documentaries:
1- Get talent releases when you are filming whether by paper or their acknowledgement on camera. It is difficult to go back and find people for their permission.
2- Seek out a lawyer to form a LLC to protect your personal assets in the event that there are legal complications.
Paul Lovelace on Documentaries:
1-When you’re not sure how to order a documentary, start by putting the material into a logical order – such as chronological- and then play with the footage from that spot; a theme is likely to emerge.